Fond Civilization

The trajectory of Yans was traced of place of fetichism in place of fetichism, and, for each place that passed, went leaving its track, inhaling artists, saving lives, freeing confined, pulling out masks and undressing the contradictions. The amadiana conception concerning the relations between blacks and whites and of the proper idea of present nation in the workmanship is impersonatied in the personages Adalgisa and Manela; first renega its African shades for option and pure preconception, second is hindered of living its life, cultuar its deuses, had also taken off the right to it to the freedom for the imposition and for ‘ ‘ goblet of couro’ ‘. process to legitimize the popular culture is worked by Loved through the cultural oppositions in process of transistion and hibridismo, involving social matters, ethnic and religious. Of ironic form, critical and carnavalizada, Loved it seduces the reader and it directs for the way against the preconception and the repression, in the construction of a proper civilization. Throughout the workmanship, the narrator goes giving samples of this sincrtica civilization, the Bahia of All Santos and Orixs, of distinct origins, but that, when arriving in this land, ‘ ‘ lighthouse of entendimento’ ‘ , everything is modified: Fond of Portugal, to the time of the colony, in the aflito vote of a lusitano shipwreck, Ours Gentleman of the Bomfim; fond of the coast of Africa, to the time of the traffic of the blacks, in lombo in blood of a slave, Oxal. Sobrevoam the procession, meets in the seios of the Bahians, dives in water-of-smells and if they confuse, are an only Brazilian deity (LOVED, 1988, p.53). The Manela personage is a Bahian Mercy, mine Gentleman of the Bomfim!